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uch of the
interest surrounding the modern superhero has stemmed from the development
from the two-dimensional good guys of the early Cold War era to the dark and
hyper-violent vigilantes of today. Witness, for example, the change in Batman
from the campy '60s television series to the shadowy comics of Neal Adams and later, Frank Miller (The Dark Knight Returns), to Christian Bale's painfully intense portrayal last year in Christopher Nolan's Batman Begins. But Batman sought justice, not vengeance. In contrast, how comfortable would we be with a masked hero whose actions go beyond vigilantism into the realm of terrorism? "V for Vendetta is a multi-layered film," says producer Joel Silver, whose credits include the Matrix trilogy, the Lethal Weapon series, Die Hard and Predator. "It can be enjoyed as a dynamic action picture, or audiences can go deeper into the complex issues and ideas it explores." Set in a fictional, totalitarian Britain in the near future, the film |
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follows the story of Evey
(Natalie Portman), a young woman, who, when breaking a government-imposed
curfew, falls into the hands of the Fringemen, the savage state police. |