B.L.
This is a little different for you, taking a back seat, so to speak,
to the star and playing the "best friend". When you first read the
script, what was your initial reaction to it?
J.L.
I knew exactly what it was, that it is a triumphant movie. It's
a formula that's worked in film, where you can keep the audience
at the edge of their seat. And my part is something that I have
not done before, to just play the gal-pal. She's more than
nice, she is really strong. She's the caretaker, because she's
a single mom and I support her (J-Lo's character) decisions
and offer strength. So it's kind of integral to the plot. I also
did it because I wanted to work with Michael Apted (director). From
the second I met with him there was an instant chemistry. This happens
every so often. It also happened with Bruce MacDonald. The first
time you meet there is a chemistry as an actor and a film maker.
I look for this; that's why I did it as well.
B.L.
I think that being a best friend in this film is an intimidating
role because there is so much being placed on her shoulders. Did
you do research about abused women or talk to anyone who was in
the position that your character was in?
J.L.
I know things from being a best friend to my girlfriends. They are
not in this scenario, but we've all had moments of weakness
or have gotten ourselves in a bind. You lean on your friends; hopefully
they are pretty level headed and give you some sound advice or at
least support. I understand that aspect of it very much.
B.L.
I must ask you about another film that you have coming out called
Picture Claire, shot in Toronto and directed by Bruce MacDonald.
You really had a lot of work cut out for you making that movie;
how did you tackle that role?
J.L.
It was the most technical film I have ever worked on. I had to be
premeditated in every single moment and know exactly when I was
going to speak, because I didn't know French. Plus, the way
they teach French is Parisian French, so I learned it all phonetically.
It was really challenging. The way I work is that I always want
to capture the heart of a person. I have done a lot of roles where
I wasn't relying in dialogue. It's through my behaviour
or my expression that I want to connect with an audience. So the
same principles applied. The bottom line was that people knew I'm
not from Quebec. They know I'm American, so I really wanted
them to forget the accent and just believe me as this person.
B.L.
You started off in this business pretty young. I remember interviewing
you in 1991 for Cape Fear. You've had some ups and downs
but have remained level headed. I was just wondering what it is
that keeps you so grounded?
J.L.
Oh, well, a lot! But I have to say, Scientology. It's hard
for me not to say, but that's what helps me. It's not like
a big dogma that you follow or anything. It's principles that
are a part of your life and you see they work. There are things
that help you with communication and self esteem and all kinds of
stuff. So, that's really been beneficial to me! And, of course,
my family and friends! I have the best mom and dad, they have become
my best friends later in life, which is so much fun
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