| B.L You have about 90
percent of your scenes with the great Morgan Freeman and I must
tell you that I have just come from his room and he told me that
one of the main reasons he decided to be in the film was because
of you.
T.S. Wow!
B.L. What do you have to
say to that?
T.S. (long pause) That’s really moving, that’s great
and terrific to hear. Wow, you really just floored me with that
comment.
B.L. What was it like working
with that man, because I would think he was quite the mentor?
T.S. Wow. You really took me by surprise by telling me that about
Morgan. I know that he enjoyed working with me, he did tell me that,
but I didn’t know that he was that impressed with me, wow!
He’s one of the greatest actors in the world and we had a
great time together. Mentor wise, Morgan taught me something that
was very important and that is stay calm to the point of sleeping
between takes. He is the calmest, most controlled man that I have
met in motion pictures and probably in life. At the same time he
is daring and on the money with his work. He is not walking dignity,
but he is one of the more dignified men in the world that I know.
B.L. That’s nice of
you to say.
T.S. I am having a hard time giving the interview now because I
am getting all misty-eyed here. I had a great time with Morgan and
I really admire him. As for being a mentor, that’s odd because
in the movie he is my mentor and for loss of a better term he is
like my father. My character had lost his father as a young man.
B.L. So you had a lot to
play off of with him on many levels.
T.S. What was interesting to me in this movie and why the character
of Owen interested me were a couple of reasons. Number one, he was
non-verbal and the things that he went through he did without talking
about them. Simultaneously he is very reserved with his emotions
so it’s very subtle shifts that he has regarding his relationship
with the most important person in his life, played by Morgan. The
initial scene when we meet him there is a bit of skepticism when
he talks about the alien invasion and my character sees that Morgan’s
character is a bit of a loon. It’s hard for Owen to accept
this fact because he knows that his "mentor" has gone
mad and has lost his ability to reason. It was a challenging role
to play but thoroughly enjoyable.
B.L. In your opinion what
makes a really great scary film? What scares you?
T.S. The press!
B.L. Come on, I’ve
been really nice!
T.S. Not you! The tabloid press!
B.L. What do you like to
see in a scary movie?
T.S. The Shining scared the crap out of me. The fear of
the unknown is a great thing. There’s a shot in Frenzy
that I think is very scary, and there are probably elements of it
in all scary movies, is when the killer goes into one of the apartments.
All you see is the door open and the door shuts on the camera. Then
the camera pulls down the hallway and down the steps and out the
door of Fifth Avenue, goes across the street and then you see all
these people living their lives and you know this horrible event
is going on and you’re not watching it but you leave it up
to your imagination to what is going on behind that door. It’s
how Hitchcock did more of his horrific type things.
B.L. He was the master, that’s
for sure.
T.S. In this movie (Dreamcatcher) you see a lot of the
scary stuff but at the same time it’s what we do not understand.
It’s that feeling that you get when you hear a sound in your
house when you are half asleep and you go "there’s someone
in my house" and you can’t move. What I do is I grab
a baseball bat and all I can think is "I have to save my life"
and you run down the hallway and open the front door and it’s
empty and you breathe a sigh of relief. You were almost certain
that someone was there and there isn’t. So it’s that
fear of the unknown.
B.L. That’s what does
it for me too.
T.S. And I have to add, that in a way what is going on in the world
right now and hopefully it will be peacefully resolved, but people
are on edge because we don’t know what’s going to happen
and let’s hope it is all peacefully resolved.
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