In Training Day you played a
rookie cop that gets quite a lesson on his first day on the job with the
veteran cop. How did you enjoy the work process on that film?
EH: It was really easy. When you are working with someone as
good as Denzel Washington you look
good. Denzel was like a character on fire in the whole movie so it was my
job to give the film a beginning, middle and an end. My character goes
through an evolution; he's a different guy than he was in the beginning so
that was my job. Truthfully, Denzel really made me look good. I love
acting with that guy.
It was a very physical role too. How
did you like being beat up for most of the film?
EH: Well, it's never fun to get your ass kicked but I had never
been in an action movie. I never played a cop before, I really had to
educate myself about that whole world. So I just immersed myself into the
part and if getting beat up was part of it, well I had to take it like a
man.
I feel like I have been attending the
Ethan Hawke film festival here in Toronto. You have four films here, Training
Day, Tape, Waking
Life and The Jimmy Show. Let's talk a bit about each of
these projects. What was it like making Tape (opening November
2nd)? You and Robert Sean Leonard
were in a small motel room for most of it and then your wife, Uma,
comes into the picture.
EH: It was such a great part. When I first read it I thought,
what a wonderfully written script. I thought that I was reading Mamet or
something; it was so tight and so good. I play this drug-taking,
beer-guzzling jerk who tries to bring back a horrible incident from the
past with the one friend that I have from high school. Richard
Linklater (the director) did allow us to ad lib here and there and I
have to admit that some of this character came from my past. I just really
loved playing him.
Yes, he was pretty over the top, but
quite effective.
EH: You know, one of the great things
about getting older I've realized as an actor you just get more and more
interesting parts. The older you get the more complex individuals are.
Personally, I think that my character in Tape is the best
opportunity that I've had so far in my career to try and play.
Why do you enjoy working with Richard
Linklater so much? You've worked with him in Before Sunrise (1995),
The Newton Boys (1998) and now in
Tape and Waking Life.
EH: I would have to say that he might
be my favorite director. Hey, I'm the slacker generation right? I believe
in him. There are just too few independent filmmakers that are as serious
about what he does. He is so different and everything he does is
meticulously well crafted, and talk about innovative. Everybody in the
world has to see Waking Life. It's one of the most creative and
interesting films that has ever been made, and I'm not just saying that
because I have a cameo in it.
You also appear in The Jimmy Show.
What's that about?
EH: My buddy Frank
Whaley directed it and asked me if I wanted to play Jimmy, the lead
character. I couldn't refuse after I read the part. The film is based on a
play about a down-and-out inventor who embarks on a career as a stand-up
comedian, but ends up drinking a bit too much and has to try and pull it
back together for the sake of his family.
You have also taken a stab at
directing. Your debut feature film is called Chelsea Walls. How was
that experience?
EH: Nerve racking, but fun. The film
tells five stories set in a single day at the Chelsea Hotel in New York
City, involving an ensemble cast of about 30 or so characters. I gathered
together every friend that I had to help out.
Plus, don't forget about your wife.
EH: Yes, Uma is in it too. We really
just love working together. She was great in Tape and is great in
this. I don't want to sound biased, but she's such a natural. I love
watching her work.
Do you think you'll take a crack at
directing again?
EH: I'm sure someday I will. I love
the whole process of making movies in all the different capacities. So
whoever will have me, I'm there.
- Bonnie Laufer-Krebs
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