David Cronenberg's grisly remake of the 1958 film of the same name, The Fly, essentially takes the premise of the original and follows it through to its natural, extreme conclusion - something not possible at the time of the original's conception, due to technological limitations. Though Cronenberg - along with his co-author Charles Edward Pogue - essentially keep the basic story the same as the original, they take the opportunity of the remake to expand the horrific tale into more thematically satisfying directions; many have read their version of the film as a metaphor for AIDS. Still, what makes this particular remake so successful is the uncompromising (and brutal) commitment with which Cronenberg pursues the idea of a man transforming into a man/fly hybrid creature.
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